Broadcast No. 120 surprised us with some changes in the network schedule, of course, independent of the redactor Victor but then the Blues Attack, as in nature nothing is lost so what is delayed this will be issued, in addition, it turned out that there is a good one, what would an even better did not work out:)
ONE HOUR 20:05 - 21:00
Whitesnake CD entitled
. "Restless Heart" (EMI 1998)
"Woman Trouble Blues" [5:37] [comp. Coverdale / Vandenberg] track # 11 (in the program 1),
Whitesnake CD
Fri "1987" (Geffen 1987)
"Stil of the Night" [6:38] [comp. Coverdale / Sykes] track # 3 (in the program 2),
Paul Deslauriers CD
Fri "Ripping Into Red (Big Toe Productions, 2007)
"Blues Got the World" [3:01] [comp. Bruce Cockburn] track # 10 (in the program 3),
"Strawberry Fields Forever" [8:01] [comp. Lennon / McCartney] song # 5 (in the program 4),
"Steady Rollin 'Man" [4:41] [komp.R. Johnson] track # 4 (in the program 5),
"Me And The Devil" [11:32] [comp. R. Johnson] track # 11 (in the program 6),
Neil Zaza Seating shredderów} {CD
Fri "212" (Melodik Records 2011)
"If This Is Goodbye" [5:38] [comp. N. Zaza] instrumental track # 7 (in program 7),
"The Beauty" [5:21] [comp. B. Campbell] instrumental track # 9 (in the program 8),
SECOND TIME 21:07 - 22:00
Joe Bonamassa CDs
Fri "Dust Bowl" (Provogue 2011)
"Dust Bowl" [4:33] [comp. Bonamassa] track # 2 (in the program 9),
Los Lobotomys {part Concert CD}
Fri "Official Bootleg" (Cool Sound Records 2004)
"Smell Yourself" [4:35] [comp. S. Lukather] instrumental track # 1 (in the program 10),
"Dismemberment" [11:18] [comp. L.Castro / D.Garfield] instrumental track # 4 (in the program 11),
"Party In Simon's Pants" [14:58] [comp. S.Lukather / S.Phillips] instrumental track # 8 (in the program 12),
Steve Lukather CD
Fri "All's Well That Ends Well" (Mascot Records, 2010)
"tumescent" [4:02] [comp. S. Lukather] instrumental track # 9 (in the program 13),
Dawn Tyler Watson & Paul Deslauriers CD
Fri "En Duo" (Justin Time 2007)
"Going to California" [3:43] [comp. J.Page / R.Plant] track # 2 (in the program 14),
"Come Together" [6:17] [comp. J.Lennon / P.McCartney] track # 13 (in program 15),
"Why" [4:40] [comp. DT Watson] track # 9 (in the program 16).
After the introduction of energy performance of "White Snake" not less energetically presented with a certain Paul Deslauriers. This is an artist very popular in our country, which of course does not mean that low-value, so it is a little space to devote to it.
Paul Deslauriers was born and raised in Cornwall, Ontario. With the music he was exposed to active at age six when he began playing the violin. Later, he tried his hand at the piano, trumpet and bass, to the age of twelve recognized that this was Guitar is the instrument with which he wants to tie his musical future. When he was fifteen he began earning money by playing rock and roll in local clubs. When at the age of nineteen he moved to Montreal to begin teaching jazz at the prestigious McGill University already had considerable stage experience. The first tour was with his blues-rock power trio called Kind Of Blue, which later changed its name to Paul Deslauriers Band. In 1991 Paul, together with keyboardist Paul Buonasissi founded the blues-rock band Black Cat Bone (not to be confused with the British Black Cat Bones Paul Kossoff). The team has been recognized by critics as "one of Canada's hottest blues-rock bands." After a year of intense touring and the success of the Montreal International Jazz Festival, the group moved to Vancouver. In 1994 they released their first album "What A Way To May A Living", and a year later, "Bone-ified." Both boards were a great commercial success, mainly in Canada and have been quite blown away with the shop shelves. Another issue is the fact that their effort was not very high. Black Cat Bone had a chance to tour with the Colin James, which at that time was for musicians a lot of honor. In addition, Paul Deslauriers has been recognized by leading the Vancouver rock station 99.3 The Fox best guitarist of 1995. In 1996, keyboardist Paul Buonasissi suffered serious injuries in a car accident as a result of not being able to pursue a career in music, and thus the team has suspended operations. However, Deslauriers did not throw the guitar in the corner just took a job touring sideman with such artists as, Amanda Marshall, Nicola Ciccone, Garou, and Dawn Tyler Watson. The last of those called "Montreal Queen of the Blues" Paul has recorded a great sound album "En Duo", parts of which we had the opportunity to listen to in the second hour of the broadcast. Somewhat earlier, he released his first solo album by Paul entitled "Ripping Into Red." He had an impression not only on the Blues Attack audience but also on critics and fans not only in Canada. Paul Deslauriers Silhouette was featured in the most prestigious writing music, "Guitar Player" in its issue of April 2007, where the editor in chief Michael Molenda wrote of him: "Deslauriers really knows how to grab your ears from note one ... He's Also a gifted songwriter and vocalist, and his solos, especially the slide lines, are short, but thrilling. "This is a sufficient recommendation for this to be regarded Paul as the class artist belonging to the elite guitarists of Canada. A confirmation of this may be two nominations for Quebec's Lys Blues Awards in 2006 in terms of" Conert Of The Year "and" Best Artistic Performance ", nominated for the same award in 2007 in the category of" Male Blues Artist of the Lear "and victory in the category" Best Musical Performance "in 2005.
It is worth to see him on stage:
equally Paul impressively presented acoustically with Dawn Tyler Watson:
course, as usual, the Blues Attack do not run software that is permanent position shredderów corner and part concert.
The first was presented an American guitarist Neil Zaza, which is not representative of the classic speed shreddingu only tends to the melodious frazom often reaches themes from classical music. Anyway, instead of dwell would be better to see what the game and how the game:
Part concert was marked with the fusion and fusion is the highest level. And it happened thanks to the Los Lobotomys group, headed by Steve Lukather. Perhaps the redactor reached for this artist inspired by his recent concert, which, moreover, reported on in the "eye to eye."
release concert presented an attraction not only in terms of collector but mainly in terms of music. Los Lobotomys is an important project in the biography of Steve Lukather. It is a pity that so little is written about this band. The supergroup formed in 1989 in California, and its core members were themselves prominent musicians: Steve Lukather - guitar, vocals, David Garfield - keyboards, John Pena - bass, Simon Philips - drums. Membership was often supplemented by other excellent musicians, especially the session, so hard to mention all those who passed through the band. As for the album, presented in a program that has been recorded accurately in the composition of the above. It remains only deplore the fact that the group no longer exists, but no well-known often happens that the members of this class have their own individual visions of cooperation teamwork, which leads to strong differences of opinion, as a consequence end such cooperation even faster than started. Without going into unpleasant details of the differences of opinion between members of the Los Lobotomys note the rather inconsistent discography of the band be submitted in a variety of sources. This follows from the fact that the various publications have appeared in different versions were released under the name Los Lobotomys time and other times the name of one team member. That is, for example, with the album "Candyman" 1994. It occurs as the name sygnowanej Lukather, while the release of Japanese and American is the name of Los Lobotomys. Officially dropped it on the hump of confusion but unofficially given other reasons. Therefore, due to the fairly complicated circumstances of the issuance of individual records and disputes over the copyright of individual musicians, damage to tire the reader the details, leaving them available to researchers. Definitely would be nicer to see and listen to Los Lobotomys on stage;)
The broadcast redactor
Victor signaled that year that Joe Bonamassa's new album "Dust Bowl", which will take place March 22. The title track has long been available to listen to an artist page so we can look up to the will of the board before the official release. And what will the new company also will see in just a little over a week and then we will certainly examine it in detail in both the broadcast and the forum and blog:)
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