Broadcast inaugurating April was the first this year, which included all the fixed points of the program, namely: shredderów area, part of concert and the archaeological area. Due to the still inexplicable decision to take your radio subordinates one hour Blues Attack, It is that last of the permanent position of the section had to be constrained by the redactor, however, because it is physically impossible to fit in two hours, three-hour material, so unfortunately we had something resign. And by the way is an interesting marketing move in the RR but more in terms of psychosocial than the promotional message, because logically difficult to explain the act of restricting what brings the most tangible benefits. It's commonly known that it is the Blues Attack has caused explosive growth in listenership even Rzeszow Broadcasting (themselves, even boasted on his website) over last year. Listeners were given at the end of a professionally-edited, and conducted a show of music, free from the inertia, parochialism and ignorance lead. Therefore, the request to the readers of the blog: if you would have any rational or even irrational motives to explain the radio authority, give it in the comments. Perhaps such a common diagnosis but will to some extent understand "what the author had in mind" and try to find a way of seeking to change the current state.
ONE HOUR 20:05 - 21:00
Joe Bonamassa CD
Fri "Dust Bowl" (Provogue Records, 2011)
"Slow Train" [6:50] [comp. J.Bonamassa / K.Shirley] track # 1 (in the program 1),
"You Better Watch Yourself [03:30] [comp. W.Jacobs / J.Bonamassa] track number 6 (in the program 2),
"The Meaning Of The Blues "[5:44] [comp. B.Troup / L.Worth] track # 4 (in the program 3),
"Heartbreaker" [5:49] [comp. P. Rogers] track # 8 (in the program 4),
"No Love On The Street" [6:32] [comp. M. Kamen / T. Curry] track # 9 (in the program 5),
Shane Henry CD
Fri "Deliverance" (shanachie 2004)
Deliverance [3:44] [comp. K. Bowe / S. Henry / David Z] track # 1 (in the program 6),
"Mother Freedom" [3:18] [comp. D. Gates] track # 5 (in program 7),
"Looking Glass" [4:21] [comp. K. Bowe / J. Lang] track # 8 (in the program 8),
Andy Wood Seating shredderów} {CD
Fri "A disconcerting Amalgam" (Music Holmz 2009)
"Amazing Grace" [1:11] [comp. Traditional / arr. A. Wood] instrumental track # 1 (in the program 9),
"Bar Exam" [3:00] [comp. A. Wood] instrumental track # 9 (in the program 10),
"Fallen Heroes" [5:02] [Comp. A. Wood] instrumental track # 10 (in the program 11),
SECOND TIME 21:07 - 22:00
archaeological area Thunderhead {CD}
Fri "Thunderhead'75" (ABC Records / Horizon Music Group
1975/2011)
"Roll Up the Hill" [4:15] [comp. J. Hadley] track # 2 (in the program 12),
"Busted In Georgia" [4:15] [comp. Dagger / Dobbs / Ware / Torello / Rush] track # 1 (in the program 17),
"Lay It On The Line" [4:17] [comp. R. Dobbs] track # 3 (in the program 18),
Mike Zito} {part of the concert CD
Fri "Live From The Top" (Marz Music 2010)
"Natural Born Lover" [7:20] [comp. M. Zito] track # 1 (in the program 13),
"19 Years Old" [8:01] [comp. M. Zito] [feat Nick Moss & Curtis Salgado] track # 5 (in program 14),
"Sugar Sweet" [5:36] [comp. M. Zito] [feat Ana Popovic] free No. 9 (in the program 15),
"Hey Joe" [9:20] [comp. Billy Roberts] track # 12 (in the program 16).
section opened pet Blues Attack - Joe Bonamassa, of course songs from his latest album. After that, a year ago there were not quite successful as an artist on the level of this class of publishing "Black Rock" and there were fears in the direction of Joe will follow and whether the recording is not so frequent will be reflected in the condition of creativity. The album "Dust Bowl" has shown that, fortunately, despite enormous earning Bonamassa studio - live, moreover, too - does not lower the bar art, which is more than a decade ago hung so high above all its music that many opponents are not even able to see her, not to mention the fact that they tried to approach her. Bonamassa as still very young artist, he could earn some extra money is not only a substantial discography, but above all their own, recognizable style guitar (also vocal, but not everyone is fond of his timbre of voice), which certainly sets him apart from a multitude of artists from the trade of guitar blues-rock. What's more, his work is still evolving ever touching on the areas more heterogeneous species, which gives him even greater freedom of action in the field of music and away the specter of falling into a rut. It should be stressed very important fact: Joe Bonamassa is not an artist STRICTE blues! Frequent assigning them with just such a label by many critics who do not know whether pseudokrytyków well his discography is an excellent opportunity to pastwienia on him the nature of the allegations of treason species, or incompetence. They do this typically Orthodox, or even the separatists, who, besides some of his objects of worship in general are not aware that since the 20's or 30's of the twentieth century, many in the music of the happened. On the other hand, some fanatical praise in the industry operating out of mediocrity, explaining sensitivity and great emotion their lack of basic skills. These people are very harmful to the music and harm valuable artists, which no doubt is also Bonamassa. You do not have yet have a supernaturally developed sense of sight and hearing to see or hear that Joe is a rock guitarist and vocalist, or by more rigorous blues-rock nomenclature. He never tried to be a bluesman, but only proved that the blues, listen, is inspired by the and it can play a lot better than many a bluesman, which is confirmed by some of his compositions as well as the opinions of authorities in this field. Why do straight away to someone with this complaint? Perhaps only because he does not like him. Of course, not everyone have a musical likes and dislikes and their own tastes, within which the work Bonamassa just does not fit, but even then, although care should be a minimum of objectivity, especially when it comes to people who consciously or not, shape opinions in the sphere of music.
Returning to the new album, Bonamassa could in good conscience recommend It not only his fans but also to all those who appreciate great guitar workshop, perfect sound, mature arrangements, and production space at the highest level - from the cover, and ending with the smallest sound flavor - everything is what it comes in modern music . Not playing has a detailed analysis of all 12 songs on its own, the only objectively indicate that the "Dust Bowl" at least half the tracks are of the highest order. Taking into account the fact that today is a good album although that includes three great tracks, the latest work Joe Bonamassa is a hugely successful publishing house:)
Under current also appeared on a certain Shane Henry. Hailing from Oklahoma, singer and guitarist is in our country, a little-known but those who have not heard about it probably too much rather not lose. Henry represents the aesthetics of pop-rock-blues even referring to the work of John Mayer, and the blues in his music is the least, as indeed we could hear. Curious about the album, "Deliverance" presented in the program is present at the recording of the famous section of Double Trouble and Kenny Wayne Shepherd. For those who liked to songs from movies about American teenagers are worth recommending to Henry's last album, entitled "Beaty In The Struggle", from which the following song:
Subsequent artists presented in the section have completed three fixed points, Seating or shredderów, honor and live archaeological area. In the first we heard an American guitarist, Andy Wood. The character is so much interesting, because as the current representative guitar sweep began with mandolins, where he played bluegrass. Moreover, the age of 16 Andy took second place in the world championships held in mandolinists Winfield, Kansas. He plays the mandolin for sure it earned in the game Andy brilliant technique and his interest soon switched to electric guitar. At the beginning it attracted musicians from Nashville style: Brent Mason and Albert Lee. Then came a fascination with jazz, fusion, swing and eventually rock. Wood began to study the playing techniques of these "athletes guitar" as Eddie Van Halen, Joe Satriani and Steve Vai, who had their significant influence on his style. That is his only solo album, excerpts of which we heard in the broadcast is a perfect reflection of the fascination with music. In addition, of course, fast hard rock elements present themselves equally impressive appeal for music fusion of acoustic melodies and kept in a climate bluegrassowym. Andy Wood is another example of an interesting artist, whose music can have on hand, or rather ear whenever you want and above all it can to find what she's editor-in did not happen the first time. And this is the strength and attractiveness of the Blues Attack.
And here is the proof in a nutshell:)
second program is a traditional piece of furniture already part of the concert. This time it appeared on the scene known to students of BA and often presented by the redactor, Mike Zito. In order not to duplicate faktografii associated with this artist, just a note. Many people wrongly assume that Zito was a phonographic debut album, "Today," released in 2008. It is true perhaps resulting from the fact that this record is indeed under the wings of the debut but Eclecto Groove label, which meant that Mike met a wider audience. The actual recordings by Mike Zito debut album was "Blue Room" signed with the name of the artist, which appeared in 1998. Two years later he was released on "America's Most Wanted" and then in 2004's "Slow It Down", followed two years later, "Superman" and recorded in 2007, "Motel Blues" and "Real Strong Feeling" and it was only the next was in question have already "Today," which, moreover, included some songs from previous albums. Those whose work Mike Zito is interested enough to reach after the above albums should be with a little effort to find it, though surely they will not lay on the shelves so. good music stores:) As far as the concert itself, which we have heard is of course he does not bring enough to the revolutionary moments, as for example the invention of the wheel, but it offers a large piece of solid blues-rock music.
And finally, this year the first area for researchers, diggers and finder, or excavations, in which an American band Thunderhead. The adjective "American" in this place so much importance, because under the same name stands for a number of other groups, including even our domestic product from Pabianice. The one that interests us was in 1974 at the initiative of the New Orleans drummer and vocalist Bobby Torello Mike Dagger. Membership replenished guitar (great slide playing technique), Pat Rush, bassist Otho T. Ware, and second guitarist Ronnie Dobbs. With the help of Winter brothers band recorded in 1974, his debut phonograph simply entitled "Thunderhead." Edgar and Johnny were the producers of this LP, as well as material which the band recorded a year later. Unfortunately, on his release had to wait more than a quarter century, and the effect of disc under the title "Thunderhead 75" had a chance to hear the broadcast. It is also worth noting that the brothers Johnny and Edgar took part in recording sessions for this album. The major factual should be mentioned that after the band split in 1977, guitarist Pat Rush played in the band Johnny Winter and Jeff Healey, and Bobby Torello toured with acts such as the even Rainbow, Black Oak Arkansas, or Grace Slick and of course the the Johnny Winter. I must admit that it is extremely interesting in this record represent reactivation and to the delight of many music lovers, more such publications come into the light Daily recently.
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